For some reason I have been thing about that Todd Haynes movie, Safe. For many years I thought that movie was pretty much flawless. It's such a subtle movie and Julianne Moore the perfect subtle actress to deliver the performance of a hysterical middle class woman. The plot moves so slow, like the Charles Ray still life, Tabletop, it's almost imperceptible. Yet, at the same time, it is tricky. We are pushed along until the end of the film, when the housewife, Carol, as played by Julianne Moore, has completely removed herself from society, her family, and all the expected responsibilities of being a mom, a wife, and having an upper class pedigree.

When I watch it, I just think how perfectly executed it is. There is even one of those Shining moments when the camera is dollying out on the character and zooming in at the same time. It's a super long take of Carol and once again, you can barely tell it's happening. But it successfully conveys that warbly feeling. The whole film is like a long unraveling and you have no idea where Haynes is taking you. I studied that film over and over in film school and always saw something new in it. Which reminds me there are a few more recent Todd Haynes' films I haven't even seen yet.
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